Must-See Multimedia: Iraqi Kurdistan
If you haven't seen this, you are in for a treat. Mediastorm's new piece is something photographers can watch on multiple levels.
While we are constantly saturated with coverage from Iraq, we only see the things that make news on a given day. Ed Kashi's Iraqi Kurdistan is an expansive kaleidoscope of imagery showing the real Kurdistan people, their daily life, and their culture.
It is less like viewing a story and more like visiting the region yourself.
In addition, this is a unique chance to see Kashi's entire shoot the way a picture editor would see it. There are literally thousands of images, shown rapid-fire in a flipbook style.
We no longer shoot in chunks of thirty six frames. In a world limited only by memory cards and batteries, you will see how Kashi generously spends pictures on developing situations as he works.
He shot the photos over a seven-week period while on assignment for National Geographic. You want to know what is expected from a Yellow Book photographer? Here's a good look at what it takes to cover an assignment.
I'd recommend seeing it twice: First as a consumer, and then as a photographer.
Also worth seeing is Kristen Ashburn's new piece, Bloodline: AIDS and Family, which looks at the AIDS crisis in Africa from the perspective of the people affected by the disease.
This presentation combines stunning black-and-white stills with video and audio to create a package that immerses you in a way that no print-based story could.
If you are a visual journalist - or hope to be one - you should think of Mediastorm as an evolving classroom that merits a regular visit.
This stuff is not just the future of photojournalism. It is what is happening now.
While we are constantly saturated with coverage from Iraq, we only see the things that make news on a given day. Ed Kashi's Iraqi Kurdistan is an expansive kaleidoscope of imagery showing the real Kurdistan people, their daily life, and their culture.
It is less like viewing a story and more like visiting the region yourself.
In addition, this is a unique chance to see Kashi's entire shoot the way a picture editor would see it. There are literally thousands of images, shown rapid-fire in a flipbook style.
We no longer shoot in chunks of thirty six frames. In a world limited only by memory cards and batteries, you will see how Kashi generously spends pictures on developing situations as he works.
He shot the photos over a seven-week period while on assignment for National Geographic. You want to know what is expected from a Yellow Book photographer? Here's a good look at what it takes to cover an assignment.
I'd recommend seeing it twice: First as a consumer, and then as a photographer.
Also worth seeing is Kristen Ashburn's new piece, Bloodline: AIDS and Family, which looks at the AIDS crisis in Africa from the perspective of the people affected by the disease.
This presentation combines stunning black-and-white stills with video and audio to create a package that immerses you in a way that no print-based story could.
If you are a visual journalist - or hope to be one - you should think of Mediastorm as an evolving classroom that merits a regular visit.
This stuff is not just the future of photojournalism. It is what is happening now.
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