Look For - And Light - The Details
Last week I had an assignment to shoot these ladies who make Rosary beads (by the tens of thousands) to send to the troops deployed overseas. Visually, we are talking 20-25 people sitting around in a room stringing beads.
Not terrible, but not a lot of variety, either.
In a situation like this, I will typically set up my flash immediately in an umbrella and stick it in a corner somewhere. That way it'll be ready to grab and use when I need it.
After shooting a few different angles of the ladies working with the beads, I wanted to grab a detail shot. This is when having the flash preset in an umbrella really helps.
As usual, no rocket science here. The shoot-through umbrella becomes a huge light source when positioned above and behind the strand of Rosary beads that I used as a detail. They were already sitting on the table. Didn't move them or anything.
The light from the umbrella becomes a huge specular highlight reflected in the black cross, which provides a nice tonal contrast to the Jesus figure depicted on it. And the beads reflect the large highlight, which reveals their shape in the photo.
As an added bennie, I can now work at f/16 - a crucial difference, compared to f/2.8 when working in the macro range.
As you can see here, both the quality of light and the depth of field suffer when the same shot is taken without the off-camera flash.
This shot will not win any awards, no matter which way it is shot. But lit, it gives the designer a strong, graphic detail with which to work. In a pinch, they might even design the page around the lit detail and use a shot of the ladies working as the smaller photo.
It's important to remember that the payoff to using light consistently is that the it raises your quality level throughout the entire range of the pictures that you are called upon to produce. Which is a good thing.
NEXT: Spring Arts Guide