When I completed Strobist as a project in 2021, I promised to check back in when I had something worth sharing. Today, I’m announcing my new book, The Traveling Photographer’s Manifesto, which seeks to do for traveling photographers what Strobist always tried to do for lighting photographers.

Thanks for giving it a look—and for your comments and feedback.

Choosing Light Stands

Abstract: Which light stand(s) you choose will depend on how you'll be using them. Light stands are not very expensive, and you can generally benefit from having a spare one around. [This post was updated Feb. 7, 2020.]

Light stands are designed to oppose gravity. Pretty simple. And the designs are, for the most part, pretty similar. I think of light stands as being in three categories: normal stands, compact stands (seen just above) and specialty stands such as C-stands.

For light stands I like LumoPro for many of the same reasons I like the LumoPro LP180 speedlight. Their stands are well-built, reasonably priced and guaranteed out the wazoo. LumoPro has good service, too, should you need to replace a broken knob or bolt or whatever.

Honestly, it makes me wonder why other manufacturers don't warranty their grip gear like this. Seems like a no-brainer, if you are making good stuff.

For normal, full-sized stands, I like the 10-foot LumoPro LP608. It is air-cushioned, has a five-year warranty and costs $45. It is a solid value choice and you can certainly spend more but get less.

Most stands are pretty interchangeable. That's not to say that there aren't some cool designs to be had. For a "splurge" light stand I'd consider Manfrotto stackers. They have a unique design that allows them to snap flat together for easy transport and space-saving storage. They are more expensive ($84 for 8-foot version and $115 for the 12-foot) so you'll have to make that call. But they are a great upgrade if you frequently lug around a flock of light stands.

If you don't need all of that functionality, skip the stackers. In fact, many speedlight folks who don't need a lot of stand height prefer to use "compact" 5-section stands. They rise to about 7 feet and collapse to about 21".

For that, my recommendation is easy and clear-cut: get the LumoPro LP605s, seen above. (The stand has since been updated to the LP605s, which includes drilled legs and a carrying strap.) It is the best-built of the five-section stands, includes ground spikes for more stability in wind and has LumoPro's outsized warranty.

For $45, it is hard to go wrong here. There are more expensive versions of this, but they are not as well-built, aren't strapped, have no ground spikes and you won't get a five-year warranty either. Done deal.


As far as C-stands go (more on what they are, here) they are pretty much all built like tanks. Which is part of their weighty charm. LumoPro C-stands ($100 for the riser and another $35 for the arm—make sure to get both pieces) are a good value choice as they back up the build quality with their five-year warranty.

And Be Smart: Buy Some Sand Bags

While we are on the subject of stands, please do this: Take $17 (for 4) and buy some sand bags. Get the bags from Amazon. Four will do you well for many small shoots.

And the first time a stand fails to blow over because you had it properly (and cheaply) secured, they will have paid for themselves.

But Don't Use Sand.

Skip the sand, as it will probably leak in your car or screw up the zippers. Rather, use "pea gravel," from your local home improvement store. It's super cheap ($3.50 worth will fill three sets of sandbags) and way less messy than sand.

You won't need these cheap insurance policies until a stand comes down in the wind, breaking your flash or your mod or your subject's noggin. Then you will have needed the sand bags retroactively.

Start with four or so. You'll probably end up getting more as you go. Cheapest insurance (and piece of mind) policy you'll ever buy.

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