Monday, March 27, 2006

Lighting 101: Bare-Tube-Style Lighting

One of the limits of using a small, shoe-mount strobe is that all of the pieces are integrated into the flash. Power, capacitors, flash tube and reflector - all wrapped up in a package the size of a small Subway sandwich.

(Mmm-hmm-hmmmmm, saaand-wich...)

Larger flashes tend to have a more "component" type of layout, with separate power packs, flash heads, tubes and reflectors. While this generally adds more weight and size, the fact that the reflectors are usually removable gives the big-flash guys the ability to shoot "bare-tube."

Bare-tube (or maybe you have heard the more old-school term, "bare-bulb,") means nothing more than having your flash tube sitting out there in open space pushing its light out into (nearly) a 360-degree sphere of coverage. I say nearly because there has to be some wire carrying power and triggering the flash. And that blocks some of the light in one direction.

But, for all practical purposes, it acts like a strobe-on-a-rope.

Why is this cool? There are a couple of reasons.

First, you can light a room with one head, effectively spewing light in all directions. Two bare-tube heads, high and at 45-degree angles, will light one very crisp-looking group shot. (Just drop one of the heads down a stop or so to get a nice ratio.)

Second, and one of the reasons the light looks the way it does, is a bare-tube head generates its own fill in a typical room environment. Since the light goes in all directions, it bounces off of walls, ceilings, etc., to fill its own shadows.

Third, you can stick a small bare-tube flash up close (or in a small enclosure) and it is going to light the entire area, regardless of the angle the subject is to the light. Think sticking a small bare-tube behind a computer to light the wall and the user. Or in a refridgerator to light someone looking in. Or in an open book. Or just about anywhere. You get the idea.

But since most of us do not have the ability to yank the tube out of a Canon EZ strobe, the guys from Sto-Fen invented the Omni Bounce. And, fortunately for you poverty-stricken photojournalism students, someone also invented small, cheap tupperware-style containers. More on that in a minute.

The Omni Bounce, which comes in a variety of sizes for different flash heads (and one "universal," one-size-supposedly-fits-all size) is a small, translucent piece of white plastic that pops onto your flash for a quick and easy bare-tube effect.

The bad news: It eats light. That's just physics. Sorry. It also costs about $20.

But the good news is that it is very small and light to carry around.

And if you a bit of a DIY-type, keep an eye out for a piece of tupperware container that will do the same thing for your strobe. You can either find a bottom that will scrunch onto your flash, or cut an "X" in the lid about the same size as the cross section of your flash head and just slide the closed container on. Just be mindful (as in test) to make sure the tupperware is not giving you an unwanted color cast.

But under no circumstances do you need to drop a hundred dollars for a piece of fancy tupperware, no matter what magical properties may or may not have been ascribed to it. For that kind of money, you can get a small light stand, a, umbrella swivel, and umbrella and a PC cord.

I'm just sayin'.

There are many neat things you can do with a 360-degree bare-bulb flash, no matter how you get the effect. We'll hit some in the On Assignment section soon, and will link to them from this page.

But for now, on to Hard Light.


Next: Hard Light

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12 Comments:

Blogger Elephant said...

I came across a vendor of the Sto-fen recently who was telling us all to Beware of Cheap Imitations. The claim was that the translucence and colour of the cheap versions, and presumably by extension the DIY versions, isn't right. I wonder if anyone has had bad experiences, or whether this is just guff? Thx

November 30, 2006 1:06 PM  
Anonymous Anonymous said...

I use the translucscent alcohol plastic bottles available at an drug store. Just cut the bottom to fit to your flash head & tape (or if you are really creative ) velcro it. I find them to work just as well as an Omni bounce.

December 11, 2006 12:41 PM  
Blogger msuttle said...

Elephant... one of the great thing about digital is the fact that color can be compensated for easily. I have made flash diffusers out of thin wall PVC pipe that actually a photograph a warmer tone while this translucent tupperware would not affect the color noticably. The reason why Sto-fen wants you to avoid diy and off name versions is so they can charge you 15 bux for essentially the same thing. sure it takes a small bit of time and some trash-can diving to make your own diffusers but the end result is quite fullfilling because you had your hand in making the accessories.

December 19, 2006 9:10 PM  
Anonymous tangcla said...

Does anyone know whether the Rosco frost diffuse filters are any good / worth getting, over a Stofen? I figured if I'm going to be getting the CTO and green gels, I may as well get the diffuse gels too...!

January 21, 2007 7:11 PM  
Anonymous Anonymous said...

I used a paper cone made from a standard A4 machine paper : just cut out a circle, tape or glue it as a cone, attach to your light and voila!
I also had good results in hanging such lights to the ceiling at parties.

February 13, 2007 9:26 AM  
Blogger Quoc-Huy said...

Hello.
In the UK the Sto-Fen omni-bounce costs around 15£. I don't know if DIY version is better or same or worst but for the cost it is worth the try.

I've post my own DIY tutorial on my site. Will try to use it soon...

July 12, 2007 10:46 AM  
Anonymous Anonymous said...

Hi,

I think a white coffee filter (those paper bags) might work too, though I didn't try it yet. But I do carry them for measuring the white balance.

September 20, 2007 3:52 AM  
Anonymous Dennis D. said...

I tried the cheap tupperware containter trick the other day but honestly I could not tell a lot of difference between the photos I took with it on the flash and the ones where I just fired the flash straight up at the ceiling.

Maybe it has something to do with the size of the room.

March 01, 2008 8:52 PM  
Anonymous Terry Thomas Photos said...

For years I've used new white 20 ounce Styrofoam coffee cups friction-fit over my Nikon SB600s.

Because the Nikon SB600 has a square-ish sensor on the front I have to cut out an opening for it.

Otherwise I simply point the strobe straight up, slip on the cup and shoot away. If I need a bit more light in one direction or another I tilt or swivel the cup/strobe.

Autoexposure takes care of any light loss.

More techical detail: I use the Night Scene mode (the camera blends available light with the flash) and perch a spirit level in the camera's hot shoe to make sure my horizon line is level. Then I swap the level for the flash. This setup makes for easy "Run & Gun" real estate interiors.

Let me also mention that I put second and third strobes in far rooms and at the tops of staircases so there are no Black Holes of Calcutta in my photos.

Examples of my work are on my website.

Terry Thomas...
the photographer
Atlanta, Georgia USA
http://TerryThomasPhotos.GooglePages.com

August 12, 2008 1:33 AM  
Anonymous Anonymous said...

There is a certain brand of cake frosting--name escapes me at the moment--that comes in a white translucent, plastic can; it may be wrapped in cardboard, but the frosting itself is in what amounts to a large, white plastic soup can. I have been using one of these with great success.

February 09, 2009 12:05 AM  
Blogger Big G said...

I went into a local Chinatown store and bought a white paper ball lantern... $2.50 ... it comes flat and has a little wire frame that you insert to make it a ball.... with a small hole at either end.

They are sold as lamp shades - to hang on a bare bulb hanging from the ceiling...

They convert to a MASSIVE ball of light when thrown over the SB800. I found that I did have to cover the end hole with some ricepaper to stop the light leaking out of the top ... but the effect was stunning..

g

April 02, 2009 6:12 PM  
Blogger Jim said...

Replacement ink cartridges for my Canon Pixma IP1800 printer come in small frosted white plastic tubs with a small flange around the opening. They fit perfectly inside the flash head opening of a Vivitar 285. It's possible to use the Vivitar's wide angle panel, which slides across the opening from the side, to hold the tub in place, or you can use a thin sheet of cardboard or poster board cut to size. The tub actually has two irregularly-shaped protrusions, not a single smooth dome as on the StoFen, but the light quality is virtually identical. And they're free if you're buying Canon ink!

April 04, 2009 10:17 PM  

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