X-Peditions is Back and Running!
Our X-Peditions program has returned, with two trips this fall to our workshop in Hanoi.
X-Peditions is not a lighting workshop, but rather an immersive 8-day experience in learning how to think more like a photojournalist. As a setting for X-Peditions, we choose some of the world's coolest cities. (Because why would you not do that?)
If you'd like to learn more about our X-Peditions program, or get on the list for advance notice for upcoming workshops, please visit our sister site at X-Peditions.com.
Learn More
Conservancy Critters
A single-speedlight animal shoot, and an encouragement for you to adopt a local organization as a photographer.
Read More
Cross-Pollination
Lighting with flash can give you more than just the ability to control the quality of your light. With the inherent consistency of light from (manual) flash, you can layer in slices of time as well.
But first, you’ll want to lock down two things: the ambient light portion of your exposure, and your camera’s physical position.
Read More
Fill in the Blanks
Using light to bridge the gap between the way our eyes and cameras see.
Read More
A Garden of Ideas
At first glance: a simple, one-light portrait of activist gardener Janssen Evelyn.
Dig deeper: a look at tonal mapping via specular highlights, stretching the range of your modestly powered flash, and how to discover your next project.
Read More
Shooting Through Your Sunset
Whenever you have control over the time of day in which you'll be shooting a location portrait, always remember that the hour that wraps around sunset will offer you at least five different lighting environments in which to work.
And for today's portrait of birders Jo (left) and Bob Solem, we're going to use three of them.
Read More
Read More
Planting Rice at Sunrise
Seeing as no one is doing much traveling these days, I thought it'd be fun to pay a visit with a Strobist reader photographing somewhere far away.
Up for a little Lighting Cookbook field trip to Indonesia? Yeah? Then let's go...
Read More
[COVID Diaries] Two-Light Bike for the Bucks
Turns out there's like, a huge bike shortage right now. Everyone's trapped at home. Everyone wants a bike. And the stores are all but sold out.
Which means that if you have a good bike sitting in the garage that you don't need, it's worth much more right now than it likely ever will be again.
Here's how to photograph it with a pair of speedlights to make it look great in your ad — and help you get top dollar.
Read More
The "Magic" of Medium Format
How to get that lush medium format tonality, without shelling out the big bucks.
Read More
Strobist's New Recommended Flash:
The Godox TT600
We've known for several months that the venerable LumoPro LP180 was to be discontinued. Fortunately, our new recommended speedlight is not only very capable, but also highly affordable.
Read More
Red State, Blue State
To learn to create evocative light with flash, it helps to better understand how we experience the continuous light we see every day.
To do that, you'll need to wean yourself from auto white balance, and even to abandon familiar waypoints like your daylight WB preset. Because our goal is to learn to exist in a more fluid way along the Kelvin scale.
Read More
Joker Cinematographer On Light & Color
Watching the movie Joker, I felt repeatedly that I was watching a film that Greg Heisler could have lit. The use of color was unique, sophisticated and fearless — almost a character unto itself.
In this outstanding 15-minute short produced by Vanity Fair, Joker cinematographer Larry Sher dissects his own use of light and color in the movie.
Read More
Left Brain / Right Brain
Are you right-brained, or left-brained? Do you even know what that means?
And honestly, if you are a photographer you probably need to be both.
Read More
Strobist Small-Class Lighting Workshops
Think you might be interested in one of Strobist's small-class lighting workshops? This interest list is the way you find out when one will be happening.
Read More
Using Google Maps as a Visa for Photography
Using Google Maps as an entré to meet new subjects, and improvising with a skeleton pack of lighting equipment.
Read More
BTS | 360: Mexican Sodas
You do something long enough, you'll eventually learn the little things you can do to help interesting stuff happen. One thing I have learned is this phrase:
"I'm a photographer. What can I do to help you?"
Just something as simple as that opens up all kinds of doors and possibilities. This week, it's how I ended up shooting Mexican sodas on a table-top studio in my basement.
Read More
Compressing Tonal Range with Specular Highlights
White marble, dark chocolate, one light source. Problem?
Not at all. Because pretty much everything you can actually see across the top of that box is not really the "correct" tonality of the chocolate. It's all specular highlights.
Controlling the density of specular highlights is what compresses the subject's wide tonal range and unifies everything into one smooth exposure.
Read More
Lighting Notebook: Journalist Hope Kahn
Using elements from L101, L102 and L103 in a simple corner portrait.
Read More
Pencil-Light, Literally
It was a senior/graduation photo, which called for the gratuitous backyard soft box shot. Having done that, we then moved indoors for something more in his natural habitat.
The lighting was courtesy one on-camera flash, and the lead from a mechanical pencil.
Read More
Godox AD200: An Amazing Flash—
If You Tweak it a Little
At $299, the 200 watt-second Godox AD200 is incomplete. At $366, with two key accessories, it is a steal.
Read More
13 Years: A Baker's Dozen of Key Ideas
Thirteen years ago this month, Strobist.com launched with a cutting edge design (heh) and a novel mission (at the time) to be a free source of education for small flash lighting techniques.
Today, a triskaideka-appropriate post: thirteen of the most important principles I have learned related to lighting.
Read More
Chocolate Box Studio
My brand new studio features hardwood floors and a seamless, backlit ceiling as its primary light source.
Sadly, like many studios, this one is a little on the small side: it measures exactly one cubic foot. But that's fine, as this workspace was designed specifically for one subject: chocolates.
Read More
Small, Fast and Powerful
Much like a welterweight fighter, a leaf-shuttered camera and a speedlight in a mini softbox throws a punch that is much harder than you'd expect. Even outdoors, in midday light.
Case in point, these portraits of Cuban boxer Osmany Barcelay.
Read More
Living in the In-Between
Our eyes are wonderful devices. They are autofocus, auto-zoom, autoexposure, and (to a large degree) auto white balance. Our cameras, on the other hand, see things more objectively.
Today, how to finesse that difference when adding light.
Read More
Thank You [BTS/360]
In this Lighting Cookbook installment, something different: An in-depth BTS/360 look at both the how and the ecosystem behind a photo.
Read More
Opportunity Knocks
As Halloween approaches, a timely story about a little prank available to any lighting photographer. All you need is a remote flash trigger, a clueless friend and the maturity level of a 12-year-old.
Read more
Use a Tight Grid to Create Color
That grid spot isn't just good for the tight zone of light it creates. It's also very useful for the unlit space it leaves behind.
Read more
Cheap, Portable Outdoor Lighting Source
No matter how long you have been doing something, be it lighting or photography or, well, anything, you're never too old to be dumbstruck by a cool new idea.
Take the linens drying on the line above, for example. In the right frame of mind they are essentially super-portable outdoor light sources.
Read more
How to Choose a Softbox for your Speedlights
The photo above, of photographer Ray Alvareztorres, by Brent Christensen, shows the control you can get with a single softbox as opposed to an umbrella.
Today in Strobist Lighting Cookbook we'll discuss how to choose from the many different softboxes out there, how to best adapt them to speedlights, and how to save money in the process.
Read more
Use Your Second Light to Hide Your First Light
Using one light against sunset (or dusk) leaves very deep shadows on your subject. A second light can make your subject look less "lit" by making the shadows look more like the way your eye naturally perceives them in a contrasty ambient environment.
Read more
Off-Label Compact Lighting Bag: $23
At $23 shipped—and available in 30 colors and patterns—the perfect bag for compact lighting gear, technically speaking, isn't even a photo bag.
Read more
A Manual Flash Hack for Sunset
Using manual flash against a fast-moving sunset or dusk environment can be daunting. Here's how to hack it.
Read more
Shiny Object, No Flash, Smartphone
The more you understand light, the less important your gear.
Read more
DIY Portable Doorway
Ultimate wrap: How to build a $20 DIY portable doorway.
Read more
Need More Edge? Point Your Light Away From Your Subject
Two photos. Same light source and background, different direction.
Read more
Flash or Continuous, Light is Light
Learning to be more fluid as you move between flash and ambient.
Read more
One Light, Inside the Frame
Fun fact: this was the very first-ever photo published on Strobist. Twelve years later, we circle back for an updated look at the light-inside-the-frame approach.
Read more
Two-Speedlight Daylight Group Shot
Three tricks to help you pull off a well-lit, large group shot in daylight with two speedlights.
Read more
Own the Sun With Two Speedlights
Even in full-blown daylight, you can use two bare speedlights to craft some pretty sophisticated, sun-overpowering light. The key? Using gels, and very careful placement of your fill light.
Read more
Outdoors? One Speedlight? Find Shade
For the first post in the "one light" section of the Strobist Lighting Cookbook, a solid tip for shooting outdoors when you have just one speedlight: find yourself some shade.
Read More
Introducing the Strobist Lighting Cookbook
New for 2018, the Strobist Lighting Cookbook will grow into an organized and practical guide to help you get the most out of your flashes. For this module, it is assumed you already have read Lighting 101, 102 and 103.
Go to the Lighting Cookbook
Lighting 103 is Complete
Lighting 103, the latest addition to Strobist's comprehensive free lighting courses, is complete and posted. If you haven't started it yet, feel free to begin your dive down the white-light-is-a-lie rabbit hole at your leisure.
Go to Lighting 103
On Assignment: Alley Cat
Are you stuck in a rut with your lighting? Maybe your kids aren't up for another living room studio session. Or perhaps the family cat now quietly leaves the room when you show up with your camera.
You could always head outside, set up some lights, and see what you can catch. That's pretty much what Strobist reader Nayan Khanolkar did...
Read Full Post
Completely Updated: Lighting 102
Originally published in 2007, Lighting 102 has just been completely revised and updated.
Go To New Lighting 102
Updated: How to Choose an Umbrella
Shoot-through or reflective? Standard or double-fold? Baffled or plain?
All umbrellas are not the same—or even similarly priced. Knowing how you will use them will help you make the right call...
Read Full Post
Build a $10 Custom Wooden Backdrop Mount
Why just "A" clamp your backdrop to a crossbar when you can easily build an exposed wood mounting bar for chump change?
It's a very easy project, and it leaves you with a support you may well want to include in the frame...
Read Full Post
Fuji Crystal Archive Deep Matte Paper is Freaking Amazing
While visiting Fuji's headquarters in Japan in 2013 I saw prints that were better that anything I could get done here in the US.
Three years later, I found out how to get them done here, and where. Do yourself a favor and try this stuff out.
Read Full Post
On Assignment: Overpowering Sun with a Small Kit
Lighting outdoor portraiture doesn't have to mean gearing up like a pack mule. With a carefully chosen small kit, you can own the sun (and the wind) without breaking the bank.
This On Assignment piece walks you through each of the gear choices, and how they work together to help you efficiently control your environment.
Read Full Post
Watch This: The Secret(s) to Alexis Cuarezma's Success
Up for a quick shot of knowledge, with an order of motivation on the side?
Take a few minutes to watch this interview with photographer Alexis Cuarezma, a sports portrait specialist based in San Francisco and LA.
Read full post
On Assignment: Mum for Fuji
This On Assignment is a bit of a two-fer. On the one hand, it's a quick BTS on a one-light macro shot (seen above) for Fujifilm Japan with the new X-Pro 2.
But it's also a look into just how a flagship camera like the X-Pro 2 comes to be.
Read full post
Twitter QA: The Magic Lamp
Photo ©Mans Duffani
Strobist reader Mans Duffani reached out via Twitter to show off a photo (above) and ask how it could have been done better.
It's a lovely and storytelling portrait, which he shot of a relative who he noticed at a family event. I would have loved to have made the photo myself. That said, there's one suggestion that really jumps out at me...
Read full post
Introducing The Photographer's Oil Collective
POC Oil Painting by Zhixing Zhang from a Photo by Alex Mazurov
Look closely: that's not a photo. It's an oil painting. Through Strobist's sister site, Photographer's Oil Collective, any photographer can produce museum-quality oil paintings of this caliber—either for themselves or for their clients.
Read full post
Remodeling? Think Like a Photographer
If you are remodeling a room, a few key decisions can make a lot of difference going forward. The shot above, for instance, is available light. If it looks like I put up a soft box, that's because I kinda did—two years earlier when we remodeled the room.
Inside, some quick thoughts on how to think like a photographer when you design the ambient lighting for a room.
Read full post
On Assignment: Studio in the Wild
Photo ©Jonny Armstrong
American photographer and research scientist Jonny Armstrong combines camera geekery, speedlights and his outdoor skills to make evocative portraits of wild animals in their natural habitats.
Read full post
QA: Killing Umbrella Reflections in a Cylindrical Aquarium
Reader Alison Carlino asks, via Twitter:
"How could I light posed formals in front of tank w/no umbrella reflection showing?"
Read full post
QA: Shooting Events Without TTL Flash
Reader Christopher Wharton has a flash-camera combo that will not work in TTL mode, so how he can shoot run-and-gun events?
Long forgotten in the age of TTL, this post explains how to use your flash's "automatic" mode.
Read full post
On Assignment: The Light You Don't See
This photo is 100% flash, 0% ambient. But it almost looks like the reverse. And for this portrait of soprano Robin Steitz, a timeless available-light look was what we were going for.
But when you are working with flash (a single speedlight) and controlling your light (a scrounged "fill blanket" from the couch) you can keep the best of both worlds of strobe and ambient.
Read full post
On the Road? Backup Without the Bulk-Up
I seldom review gadgets these days, but sometimes something is so useful that it's worth telling people about. Such is the case with the SD card-enabled Western Digital My Passport Wireless hard drive.
Read full post
Your Basic Lighting Kit: A Spin Around the Block
So the UPS guy just dropped your very first lighting kit at your front door. WHAT DO YOU DO NOW?
Read full post
On Assignment: I Got Rhythm
A cool little trick that forever changed the way I photograph dancers.
Read full post
On Assignment: Lighting Like Leo
In which we travel to London to serve as a lighting tech for a documentary. Our goal? Lighting for a photographic reproduction of the Mona Lisa.
Read full post
Inspiration: Atbin Eslami's Video Bio
Such a simple idea, and not so difficult to do—unless you count all of the self-inspection it will require. Iranian-born (now in Dubai) photographer Atbin Eslami's video-bio of herself first made me think, "that's really cool."
And second, "Why haven't I done that?"
Read full post
On Assignment: Ben Lurye
Who needs a studio when you have a bridge abutment? Today, we'll explore a few of its facades while making an actor's portrait.
Read full post
Gear: Choosing a Tripod
Little? Big? Aluminum? Carbon fiber? New? Used?
Three legs, many choices.
Read full post
On Assignment: Full-Sun Group Shot
Full walk-through: Using a leaf shutter and two battery-powered monoblocs to bend the sun to your will.
Read full post
On Assignment: Cellist Carolyn Rosinsky
Racing against encroaching dark and a string of thunderstorms to photograph a super-expensive cello with a super-cheap plastic lens....
Read full post
On Traveling With Your Camera
How I spent my year: traveling around the world for Lynda.com, to help you get the most out of your next trip...
Read full post
The Strobist Guide to Lighting Indoor Sports
Whether you have one light, two lights, three lights or four, here are some tips on how to best put them to use when photographing indoor sports.
Read full post
You Want This: Dan Winters' Road to Seeing
World-famous portraitist Dan Winters uncorks an epic tome that will serve as a road map for many an aspiring photographer.
Read full post
How To: Strip-Gel a Beauty Dish
Just what the headline says—yes, you can get perfect coverage for your beauty dish with just a small strip gel.
Read full post
Chokra-and-Awe: Loren Wohl Blasts Throught the Fog and Noise
Go behind the scenes with music photographer Loren Wohl to see how his beautifully backlit images were created.
Read full post
We All Screw Up. Don't Worry About It.
(A Confession)
Think you're the only one who uncorks the occasional burst of idiocy? Well then let me tell you a little story...
Read full post
For older posts, please see the Monthly Archives dropdown menu on the right sidebar.
__________
New to Strobist? Start here | Or jump right to Lighting 101
Got a question? Hit me on Twitter: @Strobist
My current project: The Traveling Photograher's Manifesto
Permalink
<< Home